Each year in January, the Union des Grand Crus, an association of 134 estates in Bordeaux, conducts a series of tastings across the United States designed to introduce the latest vintage to consumers and the trade alike. For us at JJ Buckley, the tastings provide a perfect opportunity to reassess these wines after assessing them as barrel samples one year earlier.
The latest tastings turned towards the 2010 vintage, an excellent year that was considered a return to classically-styled Bordeaux. Critics and merchants alike agree that the hallmark traits of the vintage – precise flavors, focused structure and a strong tannic backbone – will provide long-lived wines that will act as a perfect foil to the more forward and opulent qualities of the 2009s. (more…)
Jim Robertson of Brancott Estate with Alder Yarrow of vinography.com discuss the vintage
Every three years, a large portion of the wine world descends on Wellington, the small capital city of New Zealand. Four days of informative seminars and lectures follow, combined with tastings of current and older vintages of Kiwi pinots. This year sees a large contingent of British wine critics in attendance, including Oz Clarke and Tim Atkin, alongside local representatives such as Matt Kramer and Alder Yarrow, putting forth their observations on New Zealand pinot. Aussies and locals make up most of the rest but there are many other countries represented among the 500 people in attendance.
For many in the trade, Pinot Noir NZ represents a unique opportunity to advance their knowledge about the category and, perhaps, take the steps necessary to place New Zealand’s pinots in a global perspective. I’m here to offer my comments as someone who has worked in the category for twenty years while seeking out exceptional wines for our customers. (more…)
Here at JJ Buckley, January brings with it thoughts of Bordeaux, as the Union des Grand Crus travels the country pouring the latest releases while we make plans for attending the en primeur tastings in France. And with Bordeaux on the brain, it’s not too hard to start dreaming of Paris, the city where we land before traveling south, and where I always make sure to get in an extra day to check out the latest and greatest culinary pit-stops.
Like almost every major city these days, Paris is undergoing another seismic shift in their dining scene. With strong influences from American cuisine (including the arrival of many expat chefs), the plates arriving on today’s Parisian tables highlight bold colors, fresh ingredients and light-handed cooking techniques. In short, they are quite different from the requirements of haute cuisine, which dominated French cooking for decades. Traditional French dining once meant maintaining a large staff and paying rent in pricey neighborhoods. All of the required overhead kept prices too high at a time when diners started tightening their wallets and eating out less. At the same time, the strong traditions surrounding French cuisine and service left little room for younger chefs to innovate in the kitchen and promote a relaxed environment in the dining room. Paris was ready for change and (thankfully) that change has arrived. (more…)
While tasting rooms and wine bars have traditionally been the best way to experience new wines, today’s oenophiles have a variety of tasting opportunities. Massive tastings have become commonplace, and are often presented in large spaces, hosted by organizations designed to promote a variety or region. While fun and often educational, the central purpose of these events is to encourage greater consumer interest in the labels being poured.
Not all tastings, however, are based on naked commerce. A number of wine events really are born from the sheer gusto of an individual – someone in the business who wants to share their passion with a wider audience. Just like tastings hosted by larger entities, the efforts of an individual wine enthusiast to convey his message can be showcased anywhere – from a big conference room to a small parlor. But such individualized tastings create a unique platform where one can experience an array of personally selected wines, each of which provides an insight into the mind of the host. A good example can be found in New York, where Paul Grieco saw his “Summer of Riesling” tastings (at his intimate Terroir Wine Bar) transform into an international phenomenon. Fortunately for us west-coasters at JJ Buckley, the Bay Area has its own similarly ardent oenophile. (more…)
In preparing JJ Buckley’s Champagne Report, we wrestled with the decision to keep the focus on wines from that famous region, or open it up and include other sparklers, especially those from California. In the end, we decided to restrain ourselves, but not without some measure of protest from long-time friend Joy Sterling, proprietor of one of California’s iconic producers of sparkling wines, Iron Horse Vineyards. So as I wrapped up work on our latest report, I took the opportunity to dig deeper into our local fizz market in order to gain some perspective.
Sparkling wine has a long tradition in California, with Korbel having the distinction of being the first winery to produce bubbly back in the 1880s. And like the wineries that produced still wine in the pre-Prohibition heyday, the state was also blessed with many sparkling wine producers. But the arrival and aftermath of Prohibition along with a federal tax scheme that appraises sparkling wine at three times the rate of still wine left few domestic producers making bubbly between 1930 and 1970. (more…)
JJ Buckley’s latest Champagne Report has just been released with new articles along with new winery profiles and updated reviews. Click here to download a copy. To give you a taste of this edition, today’s post is based on an article that looks at Champagne’s lost varieties which are currently undergoing a renaissance.
If there is anything that wine enthusiasts have committed to their memories, it’s that chardonnay, pinot noir and pinot meunier, in varying proportions, are the three grapes used to make Champagne. Like many other details about the wine and the region, that’s just a bit of the actual truth. Because as wine geeks and aspiring MS and MW students know, seven grapes are legally allowed to be used in the production of Champagne. All of a sudden, Champagne drinkers are hearing about grapes such as arbane and pinot blanc vrai, fromenteau and petit meslier in their bubblies. What’s going on and how did this happen? (more…)
JJ Buckley’s latest Champagne Report is about to be released, with new articles on the region’s indigenous varieties and the movement towards drier Champagnes along with new winery profiles and updated reviews. To get you in the mood, today’s post looks at the recent debate surrounding the optimal glasses and decanters for bubbly.
Champagne has long been on the receiving end of rules—regarding how it is made, how it is labeled, and how it should be enjoyed. Over the years, we have come to accept these unwritten codes and perhaps even find them comforting, as they didn’t often fluctuate. But today, Champagne is witnessing revisions to concepts that were once considered sacrosanct, and they have nothing to do with grapes or labels. The changes have to do with glass in which our bubbly is served.
If there is one rule that has been generally accepted across the board, it is that sparkling wine is best served in a flute. For maximum ‘correctness’, the flute was preferably scored at the base to promote bubbles, then rinsed with water and dried with a towel once the night is done. The coupe (also known as the Marie Antoinette glass) was long ago decried as an inferior vessel because its broader surface allowed the wine to promptly lose its effervescence. Now, there are some in the industry who promote an alternative to both the coupe and the flute. (more…)